29 November 2015

lyrics translation. 'Medusa' by Suiyoubi no Campanella

The lyrics are mostly meaningless, so don't try to grasp the meaning of the song. It is rather for sensing with your body than with your brain.

Original

やってきたメーデー
揺れてる ゆっさ ゆっさ

Shall we dance?
Dancing night
Keep on moving on

Shall we dance?
Dancing all night

トリートメント
エッセンシャル モイスチャー
潤え 神

ストーン

照準合わして
ポセイドン ロックオン

Shall we dance?
Dancing night
Keep on moving on

Shall we dance?
Dancing all night

モルタル
鉄筋コンクリート
かためて 意志

ストーン

Translation

Mayday, mayday can be heard
[The boat is] pitching, swaying!

Shall we dance?
Dancing night
Keep on moving on

Shall we dance?
Dancing all night

Treatment
Essential moisture
Be moistened! God...

Stone

Aligning on
Poseidon – locked on!

Shall we dance?
Dancing night
Keep on moving on

Shall we dance?
Dancing all night

Mortar
Reinforced concrete
Be hardened! Will...

Stone
______
Comments:
1. The Japanese lyrics contain the word 'kami' spelled as 'god', but this part of the song being about treatment and moisture, implies that it is about hair, which is also 'kami'. 
2. Similarly, the second 'chorus' uses the word 'ishi' as 'will', but 'concrete' kinda hints that it's about stone, 'ishi'. This links it to the word 'stone' spelled as 'sutoon' also.

25 November 2015

Этот неловкий момент, когда Беднякову понравилось в Диснейленде. А я бы туда не пошла, даже если бы мне дали золотую карту. Нет, даже если бы мне заплатили.

24 November 2015

'Suiyoubi no campanella' ~ I tell you it's the climate of Hokkaido!

How did I find about 'suiyoubi'? I just checked what's new on jpopsuki. Out of 5 new torrents and 10 recommendations, there are usually 0 to 1 artist I can have any interest in. Most frequently, though, such searches lead me to no considerable discovery. So, I went to watch a couple of her clips on Youtube. My first reaction was to want to close this collection of fast changing landscapes with a red-nosed girl in the middle, filmed as if with a pocket camera or maybe smartphone. However, the second part made me change my mind. And there is a perfect reason why.
To keep warm in the cold climate people of Hokkaido were dancing very often. That's why so many electronic, hip-hop, trance etc. artists are from Hokkaido. I mean I can find no other explanation? The melodic part of the song is awesome. Well, maybe this time I should also give credit to the sound producer, Kenmochi Hidefumi, one of my favourite DJs.
jump-inspiring and energetic - 'Medusa'
What I liked a lot about Suiyoubi is that all songs contain lyrics that are not essentially a 'story', but are not an attempt to create a mysterious atmosphere by using a lot of difficult philosophical terms. Rather, the lyrics contain mostly rows of words or phrases grouped around the main article, like Hokkaido places and names in 'Shakushain' and Russian composers and places in 'Tchaikovsky'. Also, all songs have a particular topic they revolve about, and sometimes the topic is in the very title: 'The Little Match Girl' or 'Marco Polo' or 'Twiggy'. She also uses the wonderful flexibility of the Japanese language to create simple but funny puns, like spelling 'Norway no mori' as ノルウェイの盛り instead of ノルウェイの森. Accidentally, her another song, 'ranbou', quotes the same phrase from 'Poison', the GTO live-action theme song, I've mentioned recently in my other post.
probably the best experimental piece with astounding vocal tricks and playful lyrics - 'Momotaro'
I just love those 'ki-bi-daaan, kibi-kibi-daaan, o-ni-taaaaaish, oni-oni-taaaish'. I mean if I were to sing a song I would choose something melodic and beautiful, but this is sheer entertainment and she's not afraid or embarrassed of uttering such sounds, moreover to the microphone, moreover with the purpose of being recorded and sold on CDs. I surely respect her daring heart.
One of her albums surprisingly turns out to be a collection of covers. The first one is a nice attempt to create a modern song based on an oldie
Kung Fu lady - retro alive
'meguru kisetsu' - another famous song
This attempt was not as successful as the previous, I'd say, or maybe I'm biased, but I do think that no cover was ever able to retain the original pureness of Ghibli songs with their female vocals that feel like clear blue skies or pure water of a forest creek - except for the Takarazuka cover album.
'tsuki akari funwari ochite kuru yoru' - sheer cuteness
The third cover is a very cute song that was not ruined by Suiyoubi because probably the original song was equally experimental.
'hoshimeguri no uta' - sometimes you really needn't have made such covers
Finally the fourth song is a cover on Kagaya Rei's OST for his brother's 'Celestial Railroad'. Again, this song lost all its charm in Suiyoubi's performance and became just an arguable cover.
best video - 'Ra'
This is beautiful and sexy. No comment.
a failure - the whole 'Triathlon' album
You can throw tomatoes at me, but this album is ugly. Not a single song impressed me, but this is not the reason, the real problem is that all songs use such creepy combinations of sounds that it makes me have shivers. It's just physically unpleasant.

conclusion
While I totally prefer that she does not make any more covers, Suiyoubi's own songs are really great. You could say it's not sophisticated, it's not academic. I say it shouldn't be, it has that primeval feel about it that affects your body directly, at the physical level. Just today I was searching the web for what 'groove' means. It's not that I did not know, but for me it seems a feeling that is impossible to explain with words and I was trying to see if there is any understandable explanation of this term. I ultimately found a couple of very good explanations, but everywhere on the forums and websites I visited people agreed that it's easier to feel it than to express it with words. And now I think 'groove' is probably just about what Suiyoubi creates.

17 November 2015

'Kinkyori ren'ai' ~ please, try to keep up with me

'Wowow, slow down!!!'
my friend said to me when I showed her this frame from 'Kinkyori ren'ai'


story and characters
So, after I watched the movie, I expected to see something similar but more elaborate. And because of that I was disappointed with the 1st volume, because its ending was already making a decent happy end. However, my opinion was changing for the better with every new volume. By the 2nd volume I understood that even if the kissing scene seemed less romantic to me than in the movie, there were plenty of other things to make up for that. In the beginning I was seriously thinking it was nothing more than a light comedy, but then I noticed that I was more and more often holding my breath, and it was not because of my Autumn catarrh. Then I made myself read slowly so that I wouldn't let it end too fast. It was dangerous to read fast because I would simply explode. You could cook pancakes on me because I was probably hot enough.
When there were still 3 volumes left I already felt the end was close and it made me very empty. It's a kind of feeling that only arises when I feel extreme attachment to the characters and their story. There is a good Japanese word for this feeling - 'munashisa'. It's when you see something different and then realise you don't want anything different, even if it is by the same author.
Now this is where I must stop pretending that I'm writing an unbiased review considering all pros and cons. I just loved the way the characters' relationship developed - and by the way, not only the main couple. Just to maintain justice I must note that all characters were lovable and, running a few steps forward, I was very happy to see that all of them were doing fine in the end.
But speaking of those two, I just love it when the guy is passionate, if not too impatient, and expresses his feelings in a straightforward way. And I just love it when he makes such painful expressions when there happens something unpleasant about their romance.
Citing myself, I love it when guys "dry up" (in other words, slobber over, dote on and suffer from their love). And I love it when they suddenly get all serious. I mean, really, what girl wouldn't want to hear 'I told you I'm doing it so just stand still here' having his head just 10 cm away?
You might have guessed, but I consider the Hero hot. If you haven't seen lots of shoujo manga heroes I shall tell you they are not always, 100% hot, but this one is. But I just wanted to present you a quiz: what keeps his pants from falling considering that nothing actually protrudes in the pants below the shirr?
Um... And if I created an image in your head that this manga is your pure romantic story, then I'm sorry. It's not entirely. And it has another side... How should I put it... Well, just imagine that in order to scare her daddy the Heroine makes a crab position and drives him to the edge of the roof until he almost falls down but then rushes to save him. 'Is it only me or this kind of situation is strange? And how am I supposed to react?' Exactly the Hero's thoughts.
And if you agree with him, the author asks you to keep up with her. You see, the vertical line under ※ mark in the left.
As you can see, Ms. Mikimoto is very well aware of what she's doing and has enough self-criticism, which she never fails to express - I think by her ? she meant something like 'I drew a saliva drop on her mouth to show that she herself is eager to see the Heroine wear the clothes, but you would probably say 'what's that?' so I'm putting this ? mark here'.
Oh, this is my favourite moment: the Heroine accidentally sees the Hero topless while he is changing his clothes, and her reaction is not your simple blush or KYAAA or running away. Her reaction is natural. Just what I would do if I were her.
By the way, if you wonder what it means, it says 'A dog was biting Ivan'. In Russian. I wonder why in Russian, but no matter what the reason I was happy to see some accidental Russian in a Japanese shoujo.
'Wha? Is it ok just to do it simply like this? It's strange, isn't it? It must be strange!' - says the Hero when simple cosplay of a doctor made it possible to enter the hospital. Again ※ mark answers us: 'just interpret it like it was ok'.
Now that I talk about it, I can finally articulate the second reason I enjoyed this manga, the first being the passionate romance: the mangaka's sense of humour was close to how I usually fool about with my friends, the same kind of imagination running wild and brain recalling absolutely irrelevant things.

language
I would recommend this manga to all young students who learn Japanese and want to read something in Japanese. School romance has never been a difficult genre, but I guess 'Kinkyori' is even easier than average. The only hardship you'll face is that the manga contains a lot of author's associations that require thorough knowledge of Japanese pop-culture, from the 'Great Teacher Onizuka' live-action (by the way, the first one, not the new ones you might know) to T. M. Revolution's songs, from Battle Royale II to to Momoe Yamaguchi's last concert.
Like I said, Mikimoto's imagination flies up to the sky every time she notices she herself created a situation that induces associations with something well-known, like a phrase that matches a quotation from some popular song, or resembles its title, or the performer's name, or a character gets into situation that reminds something well known. I can totally imagine how this was created: the mangaka makes her heroine say 'I cannot even tell him what I want to say so much', and then suddenly the song 'Poison' from GTO starts playing in her head, which she immediately puts down to paper.

graphics
It certainly takes some time to get used to it, and it certainly grows better with every new chapter, though it does not change drastically like it does in works of other authors I've read. What I appreciated most in this manga is that the mangaka was able to convey very strong feelings with just one or two frames, and make me, the reader, feel the whole situation, not just one simple emotion.
She looks aside. He looks at her. Suddenly the wind brings sakura petals through the window and inside that pick whirlwind she seems to be very different and specially attractive, just for a second. What would be his unconscious reaction?
Even though Mikimoto only used the usual tricks widespread in all shoujo manga, she used them so wisely that every time she did, the time seemed to slow down giving me more time to fell the moment through.
Ms. Mikimoto developed a style that made it possible to feel a second like it lasted for much longer when it's necessary, and enabled the readers feel the situation the way the characters felt it. Just look how wonderful she drew the scene of falling down the stairs.
Or this awkward moment when no matter how you try all your creations look the same, while this pro made only one picture and managed to show how the heroine changed very slightly, subtly, when she had natural makeup applied, which made her look certainly cuter even though there were nothing special done about her.
Ms. Mikimoto is obviously very fashion-conscious, because she didn't simply create something simple and easily forgotten, but rather developed a full set of clothes for every new situation that allowed it (read: except for school uniform), and I do cherish such efforts, it's always pleasant to see that the author puts a lot of thought into her work including even chapter covers and backgrounds.
And basically, the same wonderful mangaka is actually capable of creating something like this. A-ha.
I don't know, maybe she had her unlucky days, too. But I won't get angry at her. Who cares about such things if the next page gives you this:
I know I showed it. I can show it many times you know? And never get tired of it.

conclusion
I must add at least one fly into this ointment. When I read to the end, I was not very happy with the kind of story when the Hero deliberately pushes the Heroine away so that she wouldn't end up sacrificing herself. At first I was angry. For about half an hour. Then I thought of something that made even this flaw disappear. While as a girl I usually put myself into the shoes of the Heroine, I imagined just for once what I would do if I were in the same kind of situation as the Hero, having someone I think dear and seeing I'm not the best variant for him right now, even though hoping that he wouldn't change his mind after some time passes by. This is what we, people not having the natural aptitude to understand our own and others' feelings and emotions, do: we cancel our relationship altogether and then wait, and when we get sure we do love the partner and the partner returns the feeling, we come back. And then I stopped being angry. All the more he became honest with himself very quickly.
To sum it up, you should read this manga because... you know, I'll just repeat the words from the very work in focus: cause it's funny, why else?

p. s.
Don't make the same mistake as me and don't buy 'Genshoku Tsundere Danshi. Ikenai Sensei' that contains a special chapter of 'Kinkyori'. This chapter is included in the end of volume 4. Instead, read 'Sensei to kinkyori', which contains another special chapter. It was really cute and filled the gap between the graduation ceremony and Uni's departure to America.

02 November 2015

'Close range love' ~ because a movie with a Sakanaction song cannot be bad

It's my intuition. Insight. Second sight. When I doubt, I doubt. When I don't, I seldom make mistakes. If I see that this movie is different from the beginning, then it proves to be different to the end.

story and characters
When I tried to retell the story to my friend, I realised how plain it is. She is emotionless, he is sneering at her, she is in trouble, he lifts her and brings to the infirmary accompanied by some solemn music. Others try to split them but they won't let them. Then he learns of her dream and decides to let her go by lying that he does not love her any more, but she then understands it was a lie. What can be easier?
In fact, it gets very sweet by the end and I would probably throw rotten tomatoes at such scenes
if not for that fact that something makes it different from your usual Japanese romantic movies. And that something is...

acting
Well, undfortunately I am not speaking of the main Heroine, Komatsu Nana, because she was your usual pretty Japanese girl who looked like she had to use eyedrops in the scene when her heroine was crying.
And that infamous Japanese romance! Not suspicious at all, aha.
Okay, okay, I'll finally tell you what's good in this movie. I think you guessed already, if you saw the cast.
I mean, I'm not a fan of Yamapi, even though I've seen a lot of movies with him. I kind of admire him from afar, I'm not a fangirl, I don't swoon when I see him. I simply think he's attractive and plays his roles a bit better than other actors do, because I do think Japanese cinema actors, as opposed to theatre actors, suck at acting, since most of them are there for their looks.
But here Yamasisa (as my friend once called him and that became the way we call him among ourselves and therefore the way I am used to call him) was so incredibly hot I almost evaporated during the first 10 minutes. I loved his acting, I loved how he portrayed the character, I loved his changing facing expressions.
Other actors were just normal, I wouldn't mention anyone in particular, but maybe, just maybe, Kotaki Nozomu was cute. Oh yes he was. Extremely. Yeah... It titillates my maternal instinct. Not that I find him attractive, but rather I want to punch other children who are offending him. or give him a candy...

music
Like I said, this is a movie that looked not alike other ones that I've seen, and when the end titles start, I suddenly hear this masterpiece
Not a touching song by Shiina Ringo, not a cute one by Ikimonogakari, not a pompous song by some band like Alexandros, not a glitzy piece by Juju, but an extremely stylish, slow, picturesque 'hasu no hana'. I couldn't wish for a better ending.
Though I can't say I liked the OST particularly, the 'epic song' in the epic scene was really impressive =)

conclusion
As a person who cannot sit still when he knows there is an original work this movie is based upon, I started reading the manga already. And what was my surprise when I saw that the movie scenario was better. Those moments showing how the teacher could read the Heroine's emotions by her subtle gestures, those moments when they both doubted and reflected their feelings, even the romantic moment in the classroom - all things that happened in the first volume very quickly, took some time in the movie and therefore, were much more profound and expressive. To be honest, after the first 4 chapters I just stared at the screen and thought - 'if in the manga she yielded so fast, what are the remaining 9 volumes about?'